![]() This information is very valuable for all high school student-athletes to understand as they start the recruiting process. Here you can explore important information about Bates College Skiing. And I’m really excited actually to learn about the crafts that she teaches us in the workshop coming up.This is the Bates College (Maine) Skiing scholarship and program information page. “ interesting learning about craft culture in a part of the world completely different from us and then how that relates to Printmaking I, which up until now has been focusing pretty much on Eurocentric printmaking,” DeSouza said. This week, Koiki will be working alongside Hart’s Printmaking I class in a woodblock print creating intensive.ĭiego DeSouza ’25, a member of Hart’s printmaking class, found Koiki’s combination of printmaking and craft to be unlike anything he’d seen before in the discipline. “Bukola’s name came up from two or three people and so we reached out to her.” “I started talking to my network of printmakers in Maine and asking about people who might bring an international viewpoint,” Hart said. ![]() She first came into contact with Koiki’s work while looking for an artist to bring to the school. This fund is currently run by visiting Printmaking I Professor Mary Hart, who opened the talk. Koiki came to Bowdoin on behalf of the Marvin Bileck Printmaking Project, which brings a contemporary printmaker to Bowdoin to work alongside the College’s printmaking students in an intensive of their printmaking specialty. I thought, ‘I’m gonna go home and it’s gonna be beautiful lace, textiles and stuff that I’ll be wearing, and there I’ll be, the one with the limp head tie.’ So, I decided to make it a project.” “Specifically in this case, the skill of tying head ties, which I would have learned at the feet of my mother, had I stayed in Nigeria long enough, because my sister was about to get married. “In this project, I set out to investigate the idea that people experiencing cultural displacement and dislocation might sort of imbibe a claim or piece of their internal culture,” Koiki said. Like much of her work, Koiki’s 2014 multimedia piece, “I Claim That Which Was Never Mine,” used canvas, dyes and video elements to capture her experience returning to a cultural practice that she never learned by virtue of having immigrated to the United States. Koiki highlighted several works, each of which incorporated an array of mediums and techniques, including beading, cloth-weaving, hair-threading, printing, and videography. Informed by her experience as a Nigerian-born woman living in the United States, Koiki’s work explores the intersectionality of her identity and reconciles her American education with her Yoruba heritage. Prior to beginning her academic career in the United States, Koiki lived in Lagos, Nigeria, where she was born and raised. Her art has been featured at the American Craft Council Emerging Artists Exhibition in Philadelphia, the Chicago Printmakers Collaborative and at Portland’s Space Gallery. She then found her way to Maine, first as a teaching fellow and visiting Assistant Professor of Printmaking at Maine College of Design in Portland and most recently at Bates College as the inaugural Collaborative Artist in Residence and Lecturer in the Humanities. Koiki, who is a multimedia, fiber-focused artist, received her BFA in communication design from the University of North Texas and her MFA in applied Craft and Design from the Oregon College of Art and Pacific Northwest College of Art. On Tuesday evening, students, faculty and members of the Brunswick community gathered in the Beam Classroom to hear Bukola Koiki’s talk “On Motifs and Meaning.” She also did a workshop with the Printmaking I class. ![]() Cora Dow TAKE A SEAT: Multimedia artist Kukola Koiki presents on her work as it relates to her identity and her experience as a Nigerian-American woman in Beam Classroom on Tuesday evening.
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